Notable cast/crew: Margaret Lockwood as Iris Henderson. Michael Redgrave as Gilbert. Dame May Whitty as Miss Froy. Basil Radford as Charters.
Running time: 97 minutesDirector: Alfred Hitchcock
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I knew I shouldn't have eaten that bean burrito |
They find a bandaged person travelling under the care of a nun, and it turns out to be Miss Froy who has been drugged and abducted. They free her and learn she is a British agent. She has been passing codes in song tunes, and she teaches them a tune. She flees the train hoping either she or the others will make it back to England safely with the coded tune. With Miss Froy gone, the others on the train make their escape back to England by commandeering the train.
Upon arriving at the Foreign Office in London, Gilbert finds he has forgotten the tune. While racking his brain for it, he hears it played in the next room on a piano. He and Iris rush in and find Miss Froy has arrived before them and safely conveyed the message.
MacGuffin: The tune
Hitchcock cameo: At the train station smoking a cigar
Hitchcock themes:
- Suspense
- Mistaken Identity
Verdict: At the time of release, this was the most successful British film ever. In an interview with Peter Bogdanovich, Alfred Hitchcock explained, "Lady Vanishes was inspired by that legend of an Englishwoman who went with her daughter to the Palace Hotel in Paris in the 1880's, at the time of the Great Exposition. The woman was taken sick, and they sent the girl across Paris to get some medicine, in a horse-vehicle, so it took about four hours, and when she came back she asked, `How's my mother?` `What mother?` `My mother. She's here; she's in her room. Room 22.` They go up there. Different room, different wallpaper, everything. And the payoff of the whole story is, so the legend goes, that the woman had Bubonic plague, and they dare not let anybody know she died, otherwise all of Paris would have emptied. That was the original situation and pictures like Lady Vanishes were all variations on it."
Aside from the beginning and end of the film, there was no soundtrack. In order to get the realistic effect, Hitchcock insisted that there should be no background music except for the beginning and end of the film. The only music the audience hears is source music (music the characters hear): the music sung by the musician outside the hotel, the music tune of Miss Froy, Colonel Bogey March hummed by Gilbert, the dance music conducted by Gilbert in his hotel room, and the dance music when Iris meets Gilbert in the train.
The Charters and Caldicott characters were so popular they were spun off into three subsequent movies, although Hitchcock was not involved with these films at all.
This is my favorite of Hitchcock's British films. The humor is sharp, the casting is perfect, and the question of whether Iris is losing her mind is played well enough that you start to wonder if the woman really did exist even though you saw scenes with just her prior to boarding the train. There is almost a sense of relief when the audience is shown that Iris isn't mad. This is considered by some to be the quintessential Hitchcock thriller.
Out of five bananas, I give it:
Aside from the beginning and end of the film, there was no soundtrack. In order to get the realistic effect, Hitchcock insisted that there should be no background music except for the beginning and end of the film. The only music the audience hears is source music (music the characters hear): the music sung by the musician outside the hotel, the music tune of Miss Froy, Colonel Bogey March hummed by Gilbert, the dance music conducted by Gilbert in his hotel room, and the dance music when Iris meets Gilbert in the train.
The Charters and Caldicott characters were so popular they were spun off into three subsequent movies, although Hitchcock was not involved with these films at all.
This is my favorite of Hitchcock's British films. The humor is sharp, the casting is perfect, and the question of whether Iris is losing her mind is played well enough that you start to wonder if the woman really did exist even though you saw scenes with just her prior to boarding the train. There is almost a sense of relief when the audience is shown that Iris isn't mad. This is considered by some to be the quintessential Hitchcock thriller.
Out of five bananas, I give it:
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